Wednesday, 20 April 2011

john hurts [from idiot] at MONTH of PERFORMANCE ART


We'll be performing john hurts [from idiot] as part of MPA:

unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.

6 May - 8pm
Prenzlauer Promenade 149-152,
6th Floor, Room 662

MPA-B
MONTH of PERFORMANCE ART
Berlin - Mai - 2011
www.performberlin.wordpress.com
www.mpa-b.org

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Saturday, 9 April 2011

hell

The German word for light is hell,
which is the English word hell.

Saturday, 26 March 2011

Vier Performances - 16.04.2011





(in deutscher und englischer Sprache)
Kate Laycock, Lisa Jeschke und Lucy Beynon
Podium im Theatermuseum, Düsseldorf
19:30 Uhr
Eintritt: Euro 5,-/3,50


Der Klimawandel erinnert mich an Gott
- Regie und Performance: Kate Laycock (15 Minuten)

john hurts [from idiot]
- Regie und Performance: Lucy Beynon und Lisa Jeschke (35 Minuten)

Eine Frau schafft sich ab
- Regie und Performance: Kate Laycock (10 Minuten)

untitled (he's dead / he's dead / i've shot him in the head)
- Regie und Performance: Lucy Beynon und Lisa Jeschke (10 Minuten)

Saturday, 5 March 2011

cambridge performances

Judith E. Wilson Drama Studio, Faculty of English, Cambridge

this week:

9 & 10 March, 8pm
john hurts [from idiot]
Lisa Jeschke & Lucy Beynon

9 March ONLY, 9pm
Play-reading: *Time Sensitive Material* by Will Stuart
(4 hours approx.)

10 March ONLY, 9pm
Stoma Tong
Ollie Evans
~ exhaustive porosity of objects + internal organs + puppets + language

10 March ONLY, 10 pm
Play-reading: *Not it* by Jeremy Hardingham
(50 minutes) 14 short essays on theatre

---

next week:

*_ M I S C E L L A N E O U S 5_*
(l i v e p e r f o r m a n c e)

~7pm until 11pm: Judith E. Wilson Studio~

The Miscellaneous (theatre?) Festival is a five-night performance event featuring students and visiting professional artists. Now in its fifth year, Miscellaneous 5 will run for five nights, beginning:

1. Monday 14 March
2. Tuesday 15 March
3. Wednesday 16 March
4. Thursday 17 March
5. Friday 18 March (extended version, includes finale)

2011

Thursday, 17 February 2011

Two Performances at 100° Festival

Lucy Beynon & Lisa Jeschke
john hurts [from idiot]

Sat, 26 February 2011, 9pm
100° Festival
HAU 3 Probebühne, Berlin

unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.


_ _ _


Styles J. Kauphmann
Transcription: for two loudspeakers, violinist, and empty stage


Sat, 26 February 2011, 10pm
100° Festival
Sophiensæle, Galerie Jarmuschek, Berlin

Anti-performance piece comprising sinewave duet, unamplified violin accompaniment, and free traversal of space by listeners.

more information
http://www.stylesjkauphmann.org
http://www.sophiensaele.com/produktionen.php?IDstueck=840

Thursday, 2 December 2010

Two Performances


December 15th - 8pm
Oranienstr. 189 (2. HH, 4th floor)

Jeremy Hardingham (45 mins) - _Distract_
Lisa Jeschke & Lucy Beynon (45 mins) - john hurts [from idiot]

______________________________________________

_Distract_
(abstract / argument)

"Violence of heart and spirit strikes vile terror,
but violence lost from action is terror pell-mell
and more than utterly ruinous.
Finest Work!"

I am already inside the work which contains my death.
Is there a time when I am outside of this work and apprehend its entire form? To

durationmaterial: person clothed / naked / masked / unmasked / barefoot / shod / in light / in dark / speaking / silent / amplified / unamplified / recorded / unrecorded / in movement / still / remembering / forgetting / working / not working. Acting! - 'doing' (but for sustained durations with AUTHENTIC SPEECH!) Performing! - exertion, exhaustion, evacuate. Occupy. Bequeath. Dialogue Music? live + recording <5> x 2. Spontaneous (prepared and otherwise) confessions, professions, childhoods, agings e.g.: 'I am 35 years old' or 'When I was 10 years old I wrote a play entitled "Shit! I'm an actor!"

For an act (of distraction)
is not constituted
merely by (distracting)
the physical movements
of the actor (distracted):
it gains
its identity (distract)
via its location
in a conceptual world.

(And it is this world
which has broken down)

Pathetic expression of nostalgia

P O E T
(emblazoned on forehead):
One who could take up the past and
-rather than use it for nostalgia
or ersatz mimesis-
project it into vibrant new
ways to live and
to be.

(Here by 'poet' is meant
the broadest sense of
a creative maker
of meaningful space)

I am already inside the work which contains my death.
Was there a time when I was outside of this work and apprehended its entire form? You

Jeremy Hardingham is a theatre-maker and currently manages the Judith E. Wilson Studio at the Faculty of English, Cambridge University, where he also works as a teacher and writer.


john hurts [from idiot]

unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.

Lisa Jeschke and Lucy Beynon have been working together since 2007. They are based in Berlin.