tag:blogger.com,1999:blog-79442614141151979052024-03-05T06:08:19.548+01:00L&LLBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.comBlogger54125tag:blogger.com,1999:blog-7944261414115197905.post-27059276909718403372012-03-26T12:14:00.001+02:002012-03-29T19:32:42.512+02:00we've movedYou can find us here:<br /><br /><a href="http://lisajeschkelucybeynon.blogspot.co.uk/">http://lisajeschkelucybeynon.blogspot.co.uk/</a>LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-38035818556338400922012-03-07T18:05:00.001+01:002012-03-23T15:52:04.252+01:00In March<b>1. </b><br />
<br />
SPRING DECOYS<spring decoys=""> Festival Cambridge</spring><br />
<br />
14 March<br />
<br />
Irum Fazal, <i>Ground 1 & 2</i><br />
Lisa Jeschke & Lucy Beynon, <i>Terrorism</i><br />
Jeremy Hardingham & Lucy Beynon & Lisa Jeschke, <i>[untitled?]</i> <br />
Ollie Evans, <i>Kinder Surprise #3: The Vacation of Mimotech and Zettel </i><br />
& more.<br />
<br />
For 15/16/17 March, see <a href="http://www.english.cam.ac.uk/dramastudio/schedule.htm" target="_blank">Judith E. Wilson Drama Studio</a>, English Faculty, Cambridge.<br />
<br />
<br />
<b>2.</b><br />
<br />
filling in the blanks<br />
<br />
16 March 2012, 6-9pm<br />
<br />
filling in the blanks is a series of events, investigating how one could perform the blank book. with performances by David Berridge, Patrick Coyle, Marc Godts, Rupert Hartley, Sarah Jacobs, Lisa Jeschke & Lucy Beynon (another performance of: <i>Terrorism</i>), John Morgan and DJ Roberts.<br />
<br />
<a href="http://bokship.org/" target="_blank">X Marks the Bökship</a><br />
210/ Unit 3 Cambridge Heath Road<br />
London E2 9NQ<br />
<br />
<br />
<b>3.</b><br />
<br />
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<s><span lang="EN-US">Evergreen</span></s></div>
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<s><span lang="EN-US"><span style="text-decoration: none;"><br /></span></span></s></div>
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<span lang="EN-US">30 March 2012, 7- 9pm</span></div>
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<span lang="EN-US">VerySmallKitchen present an evening of book launches, readings, and
soup, alongside a one night only exhibition and presentation by Márton Koppány.</span></div>
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<span lang="EN-US">Features book launches/presentations by Márton and nick-e melville,
soup, and further readings by David Berridge, S J Fowler, Lisa Jeschke, Claire
Potter, and seekers of lice. </span></div>
<br />
<a href="http://bokship.org/" target="_blank">X Marks the Bökship</a><br />
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<span lang="EN-US">210/ Unit 3 Cambridge Heath Road </span></div>
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<span lang="EN-US">London E2 9NQ </span></div>
<br />
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<br /></div>
<b>4.</b><br />
<br />
Maintenant: a celebration of contemporary avant-garde poetry at the rich mix arts centre<br />
<br />
31 March<br />
<br />
a presentation by the Hungarian Visual Poet Marton Koppany,<br />
sound poetry & installations from:<br />
David Berridge & Nick-e Melville<br />
Hannah Silva & Holly Pester<br />
Ben Morris & Fiona Kennedy & Jon Marshall<br />
Tamarin Norwood & Julia Calver & Patrick Coyle<br />
Ollie Evans & Lucy Beynon & Lisa Jeschke<br />
<br />
<br />
<b>5.</b><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRpG_uiLZD47SV-NcoqulcpwIoz198DUzJ9SvcsQa2l3HAilFYMCBfAdqY3ieLfNuW1H0Y8k0-S_BvI-atd1kjBsaFe_pYk3BBOBEyr97IgMXwLrACiXW4qxaGGatHYPSQw5HByuw64Kkm/s1600/twin+towers22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRpG_uiLZD47SV-NcoqulcpwIoz198DUzJ9SvcsQa2l3HAilFYMCBfAdqY3ieLfNuW1H0Y8k0-S_BvI-atd1kjBsaFe_pYk3BBOBEyr97IgMXwLrACiXW4qxaGGatHYPSQw5HByuw64Kkm/s320/twin+towers22.jpg" width="320" /></a></div>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-5311887341369374462012-02-04T19:04:00.000+01:002012-02-12T14:48:58.701+01:00Five Live Performances [ink on paper]<br />
<br />
as part of <br />
<a href="http://www.fiveyears.org.uk/archive2/pages/152/A%20PIGEON.../152.html" target="_blank">A PIGEON, A KITCHEN AND AN ANNEXE: SITES OF ALTERNATIVE PUBLISHING. </a><br />
<br />
Preview on 17/02/2012, 6-9pm <br />
Five Years<br />
Unit 66, 6th Floor<br />
Regent Studios<br />
8 Andrews Road<br />
London E8 4QN<br />
<br />
<br />
[See <a href="http://verysmallkitchen.com/2012/02/11/vsk-project-lucy-beynon-and-lisa-jeschke-five-live-performances/" target="_blank">Very Small Kitchen</a> for online documentation.]<br />
<br />LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-91217234557754267292012-01-04T23:25:00.001+01:002012-01-04T23:26:10.835+01:00THE FOULE READINGSSaturday 14th January, 7.30pm.<br />
<br />
*Andrea Brady<br />
*John DeWitt<br />
*Lisa Jeschke<br />
*TBC<br />
<br />
The Nihon Room, Pembroke College<br />
<br />
There'll be free wine, a book table & a half-time break in a Japanese garden. It's all free.<br />
<br />
THE FOULE READINGS are a series of contemporary poetry readings in Cambridge organised by undergraduates in English (Caitlín Doherty, Andrew Griffin, Connie Scozzaro and Tomas Weber)LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-13143585996475949452011-10-28T16:01:00.001+02:002011-11-07T00:31:26.311+01:00Performance in Berlin<div class="description summary">
26 November, 9pm<br />
<a href="http://www.a-a-a.cc/" target="_blank">Abteilung für alles Andere</a><br />
Ackerstr. 18, Berlin<br />
<br />
--- <br />
<br />
Lisa Jeschke & Lucy Beynon<br />
he's dead / he's dead / i've shot him in the head (30 mins)<br />
<br />
If there is no such thing as the important, it is important that that
which is unimportant - i.e. everything - is not made important. For if
the unimportant - everything - is made important, then the unimportant
is no longer unimportant.<br />
<br />
"Their work incarnates a
very rare and exciting mode of live performance which is at once art
and entertainment [...] enlivened by a relentless openness to risk."
(Cambridge Literary Review, Easter 2010) <br />
<br />
---<br />
<br />
Jonathan Styles<br />
musical interventions (solo violin)<br />
<br />
<br />
---<br />
<br />
Click <a href="https://www.facebook.com/event.php?eid=120508771391439" target="_blank">here</a> to rsvp on facebook.<br />
<br /></div>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-54148192518411766182011-07-27T10:14:00.004+02:002011-08-19T22:18:16.496+02:00john hurts [from idiot] at the Edinburgh Fringe<div style="text-align: justify;">
<br />8-14 August 2011, 8.15pm
<br />The Annexe (at The Vault)
<br />Venue 29
<br />11 Merchant Street, Edinburgh
<br /><a href="http://johnhurts.blogspot.com/">http://johnhurts.blogspot.com</a>
<br /><a href="http://www.edfringe.com/">http://www.edfringe.com</a>
<br />
<br />unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.
<br />
<br />A discrepant piece of minimalist theatre after both Konrad Bayer's 1960 text 'idiot' and the writings of Simone Weil, john hurts [from idiot] is a theatre essay undermined. Audiences have thrown it everything from belly laughter to abuse - certainly it asks for effort and attention. john hurts [from idiot] is political, ridiculous and, if you like, difficult; but whether you find the critical in its idiocy or vice versa, it is a delicate little fart of a piece.
<br />
<br />'Their work incarnates a very rare and exciting mode of live performance which is at once art and entertainment [...] enlivened by a relentless openness to risk.'
<br />(Cambridge Literary Review, Easter 2010)
<br /></div>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-70247167055730379762011-07-26T18:46:00.007+02:002011-07-27T10:18:28.062+02:00in other wordsH A L F C I R C L E III.<br /><br />Poems by<br /><br /><span>Richard Barrett</span><br /><span>John Wilkinson</span><br /><span>James Cummins</span><br /><span>Rosa van Hensbergen</span><br /><span>Laura Kilbride</span><span><br />Tom Graham</span> <span><br />Amy De’Ath</span> <span><br /></span><span>Andy Spragg</span> <span><br />Tomas Weber</span> <span><br />Emily Critchley</span> <span><br />Lisa Jeschke</span> <span><br /></span><span>Charles Bernstein</span><br /><span>Jonty Tiplady</span><br /><span>Keston Sutherland</span> <span><br />The Liquid Bros.</span><span style="font-weight:bold;"><br /><br /></span><br />56 pages. Staple-bound. Printed in an edition of 200 copies.<br /><a href="http://www.halfcircle.org/">http://www.halfcircle.org</a>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-74902915471435505732011-07-02T11:10:00.010+02:002011-07-02T11:39:35.268+02:00<< alarum >>22 & 23 July 2011, 7pm<br /><br />A micro-festival of performance formed from fragments, miniatures, poetry, corpses, objects, translations, music and other instabilities, <a href="http://alarumfestival.blogspot.com"><< alarum >></a> will present live work from Cambridge and London, perhaps in the political or hilarious pursuit of something like undermined theatres.<br /><br />With work by<br /><br />OLLIE EVANS<br />IRUM FAZAL<br />JEREMY HARDINGHAM<br />EMMA HOGAN & FINN BEAMES<br />LISA JESCHKE & LUCY BEYNON<br />SIMON KANE<br />WILL STUART<br />MISCHA TWITCHIN<br />TOMAS WEBER<br />LYDIA ZIEMKE (SUITE42)<br /><br />& OTHERS<br /><br />Mica Moca, Lindower Str. 22, 13347 Berlin <br />(S-/U-Bahn Wedding)LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-76088595140020012052011-06-14T12:01:00.004+02:002011-06-14T12:07:00.307+02:00FINAL BERLIN PERFORMANCE of john hurts [from idiot]<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_3u0hLrPphQmXSEspZY1_Ws3AdoP8S7xER6RYf7byzf2NSmi2yzQ7DCZ7WDmjJJZSD2OpdCDnrf1EuSuMbtcAXs-6eWKbGy52N14Cxujtf7iyNu2BvqEHMTFj_Hu6bpC4E43Ng922cF2o/s1600/nachhause.png"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 290px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_3u0hLrPphQmXSEspZY1_Ws3AdoP8S7xER6RYf7byzf2NSmi2yzQ7DCZ7WDmjJJZSD2OpdCDnrf1EuSuMbtcAXs-6eWKbGy52N14Cxujtf7iyNu2BvqEHMTFj_Hu6bpC4E43Ng922cF2o/s320/nachhause.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5618013814593036098" /></a><br />15 June<br />Two Performances<br />@ Zu Hause, Werbellinstr. 50, Berlin (underneath the go-kart track)<br />Doors open at 9pm, performances will begin around 10pm<br /><br />(I)<br />Patrick Faurot-Pigeon<br />Study #1 for Prophet Machine (15 mins)<br />A first prototype for a mechanism to reconstruct the prophecy of John the Baptist through analog lo-fi sound devices and biomechanical actuators.<br /><br />(II)<br />Lisa Jeschke & Lucy Beynon<br />john hurts [from idiot] (45 mins)<br />unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.<br />http://johnhurts.blogspot.comLJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-54802322630695421882011-05-15T14:50:00.003+02:002011-05-15T14:51:10.740+02:00john hurts [from idiot] - more information<a href="http://johnhurts.blogspot.com/">http://johnhurts.blogspot.com/</a>LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-73763258885958690392011-04-20T11:03:00.004+02:002011-04-24T13:22:28.527+02:00john hurts [from idiot] at MONTH of PERFORMANCE ART<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkxWrpDX44JNKbU_R6tvAf7pSMvyruEfLhdXB3tNfDoFzIOwj5vDMkzZwS3GsmURSTZsQ_UEOxK0qYdajyUmzGQ7ShtezVZnbJvfbb8Nrl0djOkktAUWQPqdUorzQwzzo-7TijVP8Qvd0/s1600/MPA-B.gif"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 85px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkxWrpDX44JNKbU_R6tvAf7pSMvyruEfLhdXB3tNfDoFzIOwj5vDMkzZwS3GsmURSTZsQ_UEOxK0qYdajyUmzGQ7ShtezVZnbJvfbb8Nrl0djOkktAUWQPqdUorzQwzzo-7TijVP8Qvd0/s400/MPA-B.gif" border="0" alt=""id="BLOGGER_PHOTO_ID_5597589377325236146" /></a><br />We'll be performing john hurts [from idiot] as part of MPA: <br /><br />unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.<br /><br />6 May - 8pm<br />Prenzlauer Promenade 149-152,<br />6th Floor, Room 662<br /><br />MPA-B<br />MONTH of PERFORMANCE ART<br />Berlin - Mai - 2011<br />www.performberlin.wordpress.com<br />www.mpa-b.org<br /><br />Follow us on:<br />Facebook<br />FlickrLBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-65874873815208959842011-04-09T21:12:00.004+02:002011-04-09T22:19:27.973+02:00hellThe German word for light is hell,<br />which is the English word hell.LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-77285859614978831982011-03-26T15:39:00.007+01:002011-03-30T12:25:33.146+02:00Vier Performances - 16.04.2011<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQoCQk2x_08t1PuVmXWcVD4Krw1t4qwh6SciVuftnv8xGQ17X6ztbeTW1RDy9k-x1XfcwRaDmEvHBCOZXA-AB17OB2vx7XyXus3q8mfcu_rYgmJT6eekNg6Vz-YPa0Ss_sCINxZm_mWew/s1600/Vier+Performances.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 208px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQoCQk2x_08t1PuVmXWcVD4Krw1t4qwh6SciVuftnv8xGQ17X6ztbeTW1RDy9k-x1XfcwRaDmEvHBCOZXA-AB17OB2vx7XyXus3q8mfcu_rYgmJT6eekNg6Vz-YPa0Ss_sCINxZm_mWew/s400/Vier+Performances.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5589817155497400370" /></a><br /><br /><br /><br />(in deutscher und englischer Sprache) <br />Kate Laycock, Lisa Jeschke und Lucy Beynon<br />Podium im Theatermuseum, Düsseldorf<br />19:30 Uhr<br />Eintritt: Euro 5,-/3,50<br /><br /><br />Der Klimawandel erinnert mich an Gott <br /> - Regie und Performance: Kate Laycock (15 Minuten)<br /><br />john hurts [from idiot] <br /> - Regie und Performance: Lucy Beynon und Lisa Jeschke (35 Minuten)<br /><br />Eine Frau schafft sich ab <br /> - Regie und Performance: Kate Laycock (10 Minuten)<br /><br />untitled (he's dead / he's dead / i've shot him in the head) <br /> - Regie und Performance: Lucy Beynon und Lisa Jeschke (10 Minuten)LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com2tag:blogger.com,1999:blog-7944261414115197905.post-74250207750554667462011-03-05T19:33:00.006+01:002011-03-08T11:44:49.765+01:00cambridge performancesJudith E. Wilson Drama Studio, Faculty of English, Cambridge<br /><br />this week:<br /><br />9 & 10 March, 8pm<br />john hurts [from idiot] <br />Lisa Jeschke & Lucy Beynon<br /><br />9 March ONLY, 9pm<br />Play-reading: *Time Sensitive Material* by Will Stuart<br />(4 hours approx.)<br /><br />10 March ONLY, 9pm<br />Stoma Tong<br />Ollie Evans<br />~ exhaustive porosity of objects + internal organs + puppets + language<br /><br />10 March ONLY, 10 pm<br />Play-reading: *Not it* by Jeremy Hardingham<br />(50 minutes) 14 short essays on theatre<br /><br />---<br /><br />next week:<br /> <br />*_ M I S C E L L A N E O U S 5_*<br />(l i v e p e r f o r m a n c e)<br /><br />~7pm until 11pm: Judith E. Wilson Studio~<br /><br />The Miscellaneous (theatre?) Festival is a five-night performance event featuring students and visiting professional artists. Now in its fifth year, Miscellaneous 5 will run for five nights, beginning:<br /><br />1. Monday 14 March<br />2. Tuesday 15 March<br />3. Wednesday 16 March<br />4. Thursday 17 March<br />5. Friday 18 March (extended version, includes finale)<br /><br />2011LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com2tag:blogger.com,1999:blog-7944261414115197905.post-71840269733243400272011-02-17T12:46:00.002+01:002011-02-17T12:58:21.348+01:00Two Performances at 100° Festival<div><b>Lucy Beynon & Lisa Jeschke</b></div><div><b>john hurts [from idiot]</b><br /><br />Sat, 26 February 2011, 9pm<br />100° Festival<br />HAU 3 Probebühne, Berlin<br /><br />unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.</div><div><br /></div><div><b>more information</b><br /><a href="http://www.hebbel-am-ufer.de/de/kuenstler/kuenstler_19842.html?HAU=2" target="_blank">http://www.hebbel-am-ufer.de/<wbr>de/kuenstler/kuenstler_19842.<wbr>html?HAU=2</a><br /></div><div><br /></div><div>_ _ _</div><div><br /><br /></div><div><b>Styles J. Kauphmann<br />Transcription: for two loudspeakers, violinist, and empty stage</b><br /><br />Sat, 26 February 2011, 10pm<br />100° Festival<br />Sophiensæle, Galerie Jarmuschek, Berlin<br /><br />Anti-performance piece comprising sinewave duet, unamplified violin accompaniment, and free traversal of space by listeners.<br /><br /><b>more information</b><br /><a href="http://www.stylesjkauphmann.org/" target="_blank">http://www.stylesjkauphmann.<wbr>org</a><br /><a href="http://www.sophiensaele.com/produktionen.php?IDstueck=840" target="_blank">http://www.sophiensaele.com/<wbr>produktionen.php?IDstueck=840</a></div>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-40511732756775902592011-01-21T11:38:00.001+01:002011-01-21T11:41:27.957+01:00Lines 1, 2, 3at<br /><a href="http://intercapillaryspace.blogspot.com/">http://intercapillaryspace.blogspot.com/</a>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-38350462668900709722010-12-02T13:31:00.008+01:002010-12-06T13:15:56.724+01:00Two Performances<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1FTaAvCbEx-5WxthROGzAxwBYeEZ1-IQ-BjgDur5iXnCkkZAWg-cRDEvBJWZyCg2WrjrcFWSlUzhrjUcOicQXRYxJ2Rra5oyQSnM204VbEzhN00kSc4WyiyOCuXopeAF5argvKtW5akw/s1600/johnhurts%255Bfromidiot%255D1201107.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1FTaAvCbEx-5WxthROGzAxwBYeEZ1-IQ-BjgDur5iXnCkkZAWg-cRDEvBJWZyCg2WrjrcFWSlUzhrjUcOicQXRYxJ2Rra5oyQSnM204VbEzhN00kSc4WyiyOCuXopeAF5argvKtW5akw/s320/johnhurts%255Bfromidiot%255D1201107.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5547541592221729154" /></a><br />December 15th - 8pm<br />Oranienstr. 189 (2. HH, 4th floor)<br /><br />Jeremy Hardingham (45 mins) - _Distract_<br />Lisa Jeschke & Lucy Beynon (45 mins) - john hurts [from idiot]<br /><br />______________________________________________<br /><br /><span style="font-weight:bold;">_Distract_</span><br />(abstract / argument)<br /><br />"Violence of heart and spirit strikes vile terror,<br />but violence lost from action is terror pell-mell<br />and more than utterly ruinous.<br />Finest Work!"<br /><br />I am already inside the work which contains my death.<br />Is there a time when I am outside of this work and apprehend its entire form? To<br /><br />durationmaterial: person clothed / naked / masked / unmasked / barefoot / shod / in light / in dark / speaking / silent / amplified / unamplified / recorded / unrecorded / in movement / still / remembering / forgetting / working / not working. Acting! - 'doing' (but for sustained durations with AUTHENTIC SPEECH!) Performing! - exertion, exhaustion, evacuate. Occupy. Bequeath. Dialogue Music? live + recording <5> x 2. Spontaneous (prepared and otherwise) confessions, professions, childhoods, agings e.g.: 'I am 35 years old' or 'When I was 10 years old I wrote a play entitled "Shit! I'm an actor!"<br /><br />For an act (of distraction)<br />is not constituted<br />merely by (distracting)<br />the physical movements<br />of the actor (distracted):<br />it gains<br />its identity (distract)<br />via its location<br />in a conceptual world.<br /><br />(And it is this world<br />which has broken down)<br /><br />Pathetic expression of nostalgia<br /><br />P O E T<br />(emblazoned on forehead):<br />One who could take up the past and<br />-rather than use it for nostalgia<br />or ersatz mimesis-<br />project it into vibrant new<br />ways to live and<br />to be.<br /><br />(Here by 'poet' is meant<br />the broadest sense of<br />a creative maker<br />of meaningful space)<br /><br />I am already inside the work which contains my death.<br />Was there a time when I was outside of this work and apprehended its entire form? You<br /><br /><span style="font-style:italic;">Jeremy Hardingham is a theatre-maker and currently manages the Judith E. Wilson Studio at the Faculty of English, Cambridge University, where he also works as a teacher and writer</span>.<br /><br /><span style="font-weight:bold;"><br />john hurts [from idiot]</span><br />unintelligible demystifying piece to last forty-five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.<br /><br /><span style="font-style:italic;">Lisa Jeschke and Lucy Beynon have been working together since 2007. They are based in Berlin.</span>LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-46364342031159220792010-11-09T18:44:00.014+01:002011-03-29T20:04:13.538+02:00Beschimpfung<style type="text/css">p { margin-bottom: 0.08in; }</style>Peter Handke's <i>Publikumsbeschimpfung</i> (1966) works like a machine. When during one of the first few performances, some audience members climbed the stage and were chased down by the still young but already autocratic director Claus Peymann, it did not jar with, but, on the contrary, made perfect and necessary sense within the relentless play-ness of the play. The audiences <i>are</i> heard, but the performers must keep going (almost, but not exactly) like a machine as the piece precisely does not aim for equality or negotiation, but for a clash between audiences and performers. The idea is not to transcend the political structure of a performer/audience divide; it is to sediment it.<p style="margin-bottom: 0in;" align="JUSTIFY"></p>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com1tag:blogger.com,1999:blog-7944261414115197905.post-35922906070109909472010-11-09T16:11:00.000+01:002010-11-09T16:12:37.827+01:00Worried Men Skiffle Group - Glaubst I bin bled<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/0WmSdTykJmE?fs=1&hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/0WmSdTykJmE?fs=1&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-92055588090029074482010-10-29T20:51:00.003+02:002010-10-29T20:54:12.390+02:001) and 1) and 1)1)<br />letters<br />letters<br />letters<br /><br />1)<br />right/wrong?<br /><br />1)<br />words<br />words<br />wordsLJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-42089281666254978662010-10-21T16:23:00.007+02:002010-10-21T16:30:38.993+02:00comment<span class="Apple-style-span" style="font-family:Helvetica;color:#FF0000;"><span class="Apple-style-span" style="font-size:-webkit-xxx-large;"><span class="Apple-style-span" style=" ;font-size:72px;"><div><span class="Apple-style-span" style="font-family:Helvetica;"><span class="Apple-style-span" style="font-size:-webkit-xxx-large;"><span class="Apple-style-span" style="font-size:72px;"><span class="Apple-style-span" style="color:#FFFFFF;">xxx</span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Helvetica;"><span class="Apple-style-span" style="font-size:-webkit-xxx-large;"><span class="Apple-style-span" style="font-size:72px;"><span class="Apple-style-span" style="color:#FFFFFF;">xxx</span></span></span></span></div>comment</span></span></span><div><span class="Apple-style-span" style="font-family:Helvetica;color:#FF0000;"><span class="Apple-style-span" style="font-size:-webkit-xxx-large;"><span class="Apple-style-span" style="color:#FFFFFF;">xxx</span><br /></span></span><div><span class="Apple-style-span" style="font-family:Helvetica;color:#FF0000;"><span class="Apple-style-span" style="font-size:-webkit-xxx-large;"><span class="Apple-style-span" style=" ;font-size:72px;"><br /></span></span></span></div></div>LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-12412467191798539192010-10-17T15:42:00.002+02:002010-10-17T15:46:05.721+02:00Gomringer's "Silencio" - performance<blockquote type="cite" style="font-family: Helvetica; font-size: medium; "><div class="gmail_quote"><blockquote class="gmail_quote" style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0.8ex; border-left-width: 1px; border-left-style: solid; border-left-color: rgb(204, 204, 204); padding-left: 1ex; position: static; z-index: auto; "><div style="word-wrap: break-word; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">silencio silencio silencio </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">silencio silencio silencio </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">silencio<span class="Apple-style-span" style="color:#FFFFFF;">__</span>fart<span class="Apple-style-span" style="color:#FFFFFF;">__-</span>silencio </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">silencio silencio silencio </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">silencio silencio silencio</div></div></blockquote></div></blockquote>LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-80124305431467700332010-10-10T15:16:00.002+02:002010-10-10T16:00:22.640+02:0020th & 21st November - 'a theatre piece in six minutes' as part of 10 times 6 at ada studio.<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0KI7aDduvWYk3s9YMbXzGPw8Kw1674KIpO1WuvOHLmTbGRgMvFrKAj5aqvLTe-qaUruv_Xy4tyr4e4hf671FozgpwtX6yYKpdoKPJfIF-9rB4Tcy-DrR3hrpqoWaS-5AQ9WQLNGJcXU4/s1600/a+theatre+piece+in+six+minutes+-+jeschke:beynon.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 241px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0KI7aDduvWYk3s9YMbXzGPw8Kw1674KIpO1WuvOHLmTbGRgMvFrKAj5aqvLTe-qaUruv_Xy4tyr4e4hf671FozgpwtX6yYKpdoKPJfIF-9rB4Tcy-DrR3hrpqoWaS-5AQ9WQLNGJcXU4/s400/a+theatre+piece+in+six+minutes+-+jeschke:beynon.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5526416197641774770" /></a>LBhttp://www.blogger.com/profile/17032463462995478841noreply@blogger.com0tag:blogger.com,1999:blog-7944261414115197905.post-12679144377593496302010-08-28T11:10:00.006+02:002010-08-28T11:41:25.277+02:00Albert Einstein Bizottság - Szerelemhttp://www.youtube.com/watch?v=e7BKnVbWKGQ<br /><br />szerelem (i) love you<br />minek (?) what for<br />(i don't understand)<br /><br />1980s hungarian undergroundLJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com1tag:blogger.com,1999:blog-7944261414115197905.post-7374747784577172672010-08-23T13:23:00.008+02:002010-08-28T11:34:49.659+02:00Review of: Les Ballets C de la B / Alain Platel & Frank van Laecke: Gardenia // at: Tanztage Berlin<div style="text-align: justify;">Most people in the audience look like they know what they look like, they know. The principles of conversational cooperation apply to formalised theatre & everyone is willing to stand up for a minute of silence. Everyone is willing to be silent (more/less) throughout anyway. The audiences cooperate (aud§coop), though some people <span style="font-style: italic;">will</span> leave. Bodies without determinable gender keep changing clothes. All the clothes are very expensive, the production must have had a lot of money. Glittery substances change body and facial shapes. You look like a woman, man woman. It is a show parodying a show, so it still is a show !=! this equates everyone's stillness. This constant <span style="font-style: italic;">ja ja ja</span> und <span style="font-style: italic;">nein nein nein</span> in the background sound is the only thing that is not vain. No one is allowed to be sadly ridiculous / ridiculously sad that is what is missing, exactly! Sadly, no one is §§: no one is no longer allowed to tell each other of [ugly] and [ ] in one way or more or less, to be honest, so instead of ?what? we accept each other's claims for beauty and achievement and potential. All is not well, no, everyone knows that, but all will be well, everyone knows that for almost-sure, too. Minds sponsored by / and now, after the break that has passed they will all pass for sure, a crude point: Just Do It, or Yes You Can or was it Yes We Can & (line learning is not a strength but there must be others, potentially) & never mind in this case both YOU and WE are inclusive while as a more generally observable tendency WE tends to be a more exclusive pronoun than YOU. Supercreative core = What unites people, but what <span style="font-style: italic;">unites</span> people? This idea that everyone is different but the same and essentially<br /></div><br /><div style="text-align: right;">(it was desolating // post)</div>LJhttp://www.blogger.com/profile/10096107511694288275noreply@blogger.com0